Performance Calendar & Archive
Performance Calendar & Archive
Terry Riley’s “In C”
The Willamette University Wind Ensemble presents Terry Riley's landmark composition, "in C."
From the score of "In C":
"All performers play from the same page of 53 melodic patterns played... in sequence. Any number of any kind of instruments can play... Patterns are to be played consecutively with each performer having the freedom to determine how many times he or she will repeat each pattern before moving on to the next. There is no fixed rule as to the number of repetitions a pattern may have, however, since performances normally average between 45 minutes and an hour and a half, it can be assumed that one would repeat each pattern from somewhere between 45 seconds and a minute and a half or longer. It is very important that performers listen very carefully to one another and this means occasionally to drop out and listen. As an ensemble, it is very desirable to play very softly as well as very loudly and to try to diminuendo and crescendo together. Each pattern can be played in unison or canonically in any alignment with itself or with its neighboring patterns. One of the joys of IN C is the interaction of the players in polyrhythmic combinations that spontaneously arise between patterns. Some quite fantastic shapes will arise and disintegrate as the group moves through the piece when it is properly played."
Way Back Before Bach: The Wind Music of the Renaissance
Willamette University Wind Ensemble - A showcase of the art, religion, literature, and science of the Renaissance as seen through the lens of the secular music of the day. Music by Susato, G. Gabrieli, Pezel, Palestrina, Viadana
New York Area All-State High School Band
Frank Ticheli - “Nitro”
Morten Lauridsen - “O Magnum Mysterium” (arr. Reynolds)
Derek Bourgeois - “Serenade”
John Mackey - “Undertow”
Vive la France!
A celebration of French Culture and Music with the Willamette University Wind Ensemble and special guest Alto Saxophone Soloist, Joseph Wytko.
Martin Ellerby - “Paris Sketches”
Charles Gounod - “Petite Symphonie”
Claude Debussy - “The Sunken Cathedral”
Paule Maurice - “Tableaux de Provence”
Ludwing van Beethoven - “Trio in B-flat Major Op. 11”
Grant Linsell, Clarinet
Erik Anderson, Cello
Diana Anderson, Piano
Graduate Studies
Lecture/Recital - Modernism, Primitivism, Nationalism: Parisian Musical Life Between the Wars
Claude Debussy - “Prélude à l’après-midi d’un faune”
Igor Stravinsky - “Symphonies d’instruments à vent”
Eric Satie “Entr’acte” - Music for the René Clair Short Film “Entr’acte”
Arizona State University Chamber Winds
Raul Yañez - “Concerto for Turntable”
Label Horde Fashion Show, Phoeniz, AZ
George Gershwin - “Concerto in F Major for Piano and Orchestra
Shinyoung Drake-Perry, Piano
Arizona State University Wind Symphony
Lecture/Recital - Dance: the Music of George Rochberg and the Choreography of Anna Sokolow
George Rochberg - “Black Sounds”
Peggy Soomil (an original member of Sokolow’s company), Dancer
Interesting Premieres
Raul Yañez - “Turntablism for turntables and string quintet” (2005)
With DJ Radar
Jason Gray - “Sixsome” (2005)
Katie Saxon - “Vox Dilecti Mei” (2004)
Corey Novick - “Disquiet” (2004)
Label Horde Fashion Show - Phoenix
Mill Ave Chamber Players - KBAQ Partner Appreciation Series
Wolfgang Amadeus Mozart - “Serenade in C minor”
Antonin Dvořák - “Serenade in D mi”
The MACP was invited by the Phoenix classical music station,
KBAQ, to "show-off" the studio's newly renovated recording studio.
This recording will be featured on the "Southwest Season Ticket"
Series in the fall. The MACP was honored to be chosen as the
voice of chamber music in the valley to premiere the studio's new
equipment.
Faculty Recital: Grant Linsell and Natalie Lehr, clarinet
With Marva Duerksen, piano and Christine Welch Elder, soprano
Francis Poulenc - Sonata for Two Clarinets
Ralph Vaughan Williams - Three Vocalises for Soprano and Clarinet
Igor Stravinsky - Three Pieces for Clarinet Solo
Béla Kovács - “Homage a Manuel de Falla”
Felix Mendelssohn - Concertpiece No.2, Op. 114